Making colour with nature
How it works
It is an old, slow way of making colour. We are bringing it back at a scale that can help the land as well as the clothes we wear.
01 · GrowWe sow dye plantsIn fields looked after as homes for wildlife, not just for the harvest.
02 · FlowerNature moves inAll summer the plants flower, feeding bees and butterflies and building healthier soil. About nature recovery
03 · DryWorked on siteAfter harvest we dry and process on site in a specially built barn designed to maximise natural warmth.
04 · DyeFibre takes the colourLeaves, flowers and roots become dye, and fibre is dipped until it holds the shade.Why colour should be natural
Synthetic dyes are one of the most ignored and harmful parts of making textiles, for the planet and for us.
We think we can do better.
Most textile colour today is made from petrochemicals and fixed with heavy metals. Dyeing uses huge amounts of water, and the waste ends up in rivers.
Synthetic dyes are less than 170 years old: the first was made in 1856. Before that, every colour came from plants, insects and minerals. That knowledge is our root, and we are scaling it up for today.
Our colour
Some colour we grow. Some we rescue from industry waste. All of it is fixed and finished without harmful chemicals.
01Dye crops25 acres of dye plants in the South West, grown on land managed for bees, butterflies and birds.
02Industry wasteA second harvest from what food, farming and forestry throw away. Pomegranate skins give green and tannins.
03Clean mordantsBark gives colour and tannins that help fix dye to fibre, without heavy metals.
04OverdyeingDipping one colour over another to open up a whole palette from just a few plants.25 acres
We are planting 25 acres of dye crops in the South West. Not all that is green supports biodiversity. We hope to change that by planting this lifeless monoculture of grassland with heritage dye plants.
A mix of annuals and perennials, grown on land managed for wildlife, with no chemicals. After harvest everything is dried and worked on site in a barn built to make the most of natural warmth.
About nature recoveryThe field today, before planting
Waste as dye
Industry throws away a lot of colour. Skins, husks and stones from food producers, cuttings from farms and bark from forestry all become dye. What is left goes back to the fields as compost.



Clean mordants
A natural dye needs a mordant to bind it to the fibre, and a modifier to shift its shade. Most rely on metal salts such as alum and iron, which can end up in waste water.
We are developing mordants and modifiers from plants instead, using the tannins in bark, pomegranate and avocado. No heavy metals, so the whole process is as clean as the colour it starts from.
Overdyeing
Overdyeing means dipping fibre in one colour, then another. Weld yellow under woad blue gives green. Madder red over woad gives purple. Lighter or deeper dips shift every shade again.
It lets us make a wide range of colour from a small number of plants, so we grow less and waste less. It also gives old cloth a new life: a faded piece can be dyed again rather than thrown away.
Clean all the way
We collect and reuse the water from our dye pots, and when we need heat, it comes from the sun. No heavy metals go down the drain.
Made to be kept
All colour fades in time, natural or synthetic. Naturally dyed cloth softens with you, can be dyed again for a longer life, and breaks down without harm at the end.
More about our colourColours from plants
We intend to dye animal and plant fibre, yarn, cloth and clothing using only the natural dyes we grow and process.
In a clean system we will only be using circular rainwater collection to negate fresh water use, and renewable energy harvested on site.




Mailshots from the field
Sharing the campaign helps just as much. Or join our mailshots for news of sowing, flowering and the first dye pots.
Our colour
We make colour and bio mordants from dye crops and from food, plant and industry waste, in a way that supports nature rather than harming it. No synthetic dyes, far less water, and colour that is gentler on the people who wear it.
Why colour matters
Colour is one of the first things we notice and one of the last things we forget. It carries culture: every place and people has colours that mean celebration, mourning, belonging or faith, many of them first made from the plants that grew nearby. It shapes how we feel, lifting or calming a room, a day, a mood. And it is personal. The colours we choose to wear say something about who we are before we speak, a quiet reflection of our personality and style.
Because colour means so much, how it is made matters too. We think the colours we live in should carry a good story, from a living field to the clothes on your back.
Myths about natural dyes
Natural dye has a reputation for being dull, fussy and fragile. Most of that comes from the last 170 years of synthetic colour, not from the plants.
Our colour palette
Every shade comes from a plant, a fungus, or waste from food and forestry, used on its own or overdyed with another to create the widest palette of shades possible.
Dark brownWalnut
Dark greenIndigo over onion skin
RustBracket fungi
Pale blueWoad
RedMadder
Salmon pinkAvocado
Pale pinkEucalyptus
Sage greenIndigo and weld
Golden yellowOnion skins
LemonDandelions
TanEarth
GreyCharcoal
BeigeCoffee
IndigoIndigo
KhakiMarigold and weldWhat we dye
We will be dyeing fibre, yarn, cloth and garments, using only the natural dyes we grow and process. We will be using coloured wool for greater colour tonality and depth.
Natural dyes work on natural fibres. We are developing bio mordants that fix the colour to the fibre, and testing them on our own cloth, which we are making in the WDO50 mill.
From the plant comes the colour




Nature recovery
We are planting 25 acres of dye crops in the South West to find out if growing colour can help nature recover: more wildlife, more habitat and healthier soil, giving back what synthetic dyes have taken out.

Why it matters
A field can look green and still be almost empty of life.
Much of our farmland grows a single crop year after year. It feeds very few insects, birds or soil life, and the soil itself gets tired.
Synthetic dyes add to the harm further down the line, with oil-based colour, heavy metals and polluted water. We want colour to do the opposite and put life back into the land.
What we are doing
Dye plants are a good fit for nature. Many are native, flower for months and are loved by pollinators.
Who lives here
The fields are a place for wildlife first and a harvest second. We only take what we need for colour and leave the rest to flower and seed.
Nature surveys have already started to give us a baseline. We're putting in nature cameras, owl and bird boxes and wild hives, and making sure no chemicals are used on the site. Every quarter we'll survey again to see what has returned home.
From the fields



The fields grow the colour. Our crowdfunder kits out the shed where we turn it into dye, and the classroom where we share how.
Back usOur crowdfunder
We are raising £15,000 to turn our shed into a working dye studio, seed store, classroom and events space, so we can start turning plants and industry waste into natural colour, and open the doors for people to learn how.
Rewards
Every supporter gets their name listed as a founding supporter on this website, plus exclusive updates and behind-the-scenes videos by email.
Crowdfunder pledge
Questions
Tincturian is about making colour with nature. Based in the South West, we grow plants that make natural dye, look after the land for wildlife, take colour from industry waste, and use it to dye wool without synthetic chemicals.
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Thank-yous and seeds go out from [MONTH YEAR]. Yarn and scarves follow our first harvest, from [MONTH YEAR].
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We’d love to hear from you. Get in touch.
Who for?
Tincturian is for anyone curious about where colour comes from, and anyone who wants it to do less harm. Whether you are picking up a skein of yarn for the first time or changing how a whole business makes things, there is a way in.
For people
Open days, events and workshops in the fields, the dye shed and the classroom, at the pace of the seasons.


For industry
Tincturian is a test bed for natural colour at a scale industry can use. We want to work with the businesses that grow, waste and wear colour.
Get involved
Come to an open day, book a workshop, send us your waste or back the crowdfunder. However you want to join in, we would love to hear from you.
Join us
Tincturian is a project with community at its heart. We are keen to get people and industry involved with the project.
Over the next three years we'll be holding events, open days and workshops that encourage everyone to explore colour in its natural environment.
Growers, dyers, makers, brands, funders and neighbours: tell us what you are working on, or how you would like to get involved.